Koch, Lars2022-05-192022-05-192021https://www.sciendo.com/article/10.2478/kwg-2021-0018https://mediarep.org/handle/doc/19243On the basis of two aesthetic interventions of Christoph Schlingensief and the Center for Political Beauty (ZPS) this article analyses the relationship between artivism and invectivity. In each case the underlying theatrical dispositifs are being discussed. With this, the article inquires into the respective procedures of disturbing the audience and the public. Whereas Schlingensief’s politics of form aims at creating a sphere of ambiguity, the ZPS is all about stimulating moral indignation. This also reflects the diametrically opposed capabilities of artivistic art: Controversy on the one hand, partisanship on the other.deuInvektivitätArtivismuskonfliktuelle ÄsthetikInvectivityArtivismconflictual aesthetics30080010.2478/kwg-2021-001810.25969/mediarep/182552451-1765