NECSUS Editorial Board2018-09-262018-09-262012https://www.necsus-ejms.org/test/editorial-necsus/https://mediarep.org/handle/doc/3198In the second part of the much celebrated recent novel 2666 (Roberto Bolaño, 2004), a Chilean philosopher with an Italian surname teaching in a Northern Mexico university unexpectedly finds a book in his library: Testamento geométrico, a treatise on geometry written by a poet named Rafael Dieste. Amalfitano (the name of the philosopher) cannot recall having bought or borrowed the mysterious book. This presence deeply unsettles him, and he finds relief through a rather Duchampian gesture: he hangs the volume on a line in his backyard, exposing the treatise and its linear speculation to the action of the weather.engKinoEditorialFilmTangibilitätGreifbarkeitBerührungKörperkontaktGegenständliche BenutzeroberflächeFernsehencinemaeditorialfilmtangibilitytelevision79110.5117/NECSUS2012.2.EDIT10.25969/mediarep/150462213-0217