Feiersinger, LuisaFriedrich, KathrinQueisner, Moritz2019-03-252019-03-2520189783110464979https://mediarep.org/handle/doc/4438Screen-based media, such as touch-screens, navigation systems and virtual reality applications merge images and operations. They turn viewing first and foremost into using and reflect the turn towards an active role of the image in guiding a user’s action and perception. From professional environments to everyday life multiple configurations of screens organise working routines, structure interaction, and situate users in space both within and beyond the boundaries of the screen. This volume examines the linking of screen, space, and operation in fields such as remote navigation, architecture, medicine, interface design, and film production asking how the interaction with and through screens structures their users’ action and perception.<ul> <li><a href ='https://mediarep.org/handle/doc/13103'>Editorial: <i>Image – Action – Space. Situating the Screen in Visual Practice</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13104'>Aud Sissel Hoel: <i>Operative Images. Inroads to a New Paradigm of Media Theory</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13105'>Erkki Huhtamo: <i>The Spell of the Catoptric Television. Media Archaeology, Topos Study, and the Traces of Attention</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13106'>Tristan Thielmann: <i>Early Digital Images. A Praxeology of the Display</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13107'>Jan Distelmeyer: <i>Carrying Computerization. Interfaces, Operations, Depresentations</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13108'>Luisa Feiersinger: <i>Spatial Narration. Film Scenography Using Stereoscopic Technology</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13109'>Lasse Scherffig: <i>From Action Capture to Interaction Gestalt</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13111'>Kathrin Friedrich: <i>Screening Bodies. Radiological Screens and Diagnostic Operations</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13112'>Luci Eldridge: <i>Working on Mars. An Immersive Encounter through the Screen</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13113'>Nina Franz and Moritz Queisner: <i>The Actors Are Leaving the Control Station. The Crisis of Cooperation in Image-guided Drone Warfare</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13114'>Shannon Benna: <i>Systems and Practices to Produce Stereoscopic Space on Screen</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13115'>Jens Schröter: <i>Viewing Zone. The Volumetric Image, Spatial Knowledge and Collaborative Practice</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13116'>Carolin Höfler: <i>Sense of Being Here. Feedback Spaces Between Vision and Haptics</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13117'>Timo Kaerlein and Christian Köhler: <i>Around a Table, around the World. Facebook Spaces, Hybrid Image Space and Virtual Surrealism</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13118'>Sarah Atkinson: <i>Synchronic Simulacinematics. The Live Performance of Film Production</i></a></li> <li><a href ='https://mediarep.org/handle/doc/13119'>Ina Neddermeyer: <i>I Want to See How You See. Curatorial Practices of Exhibiting Virtual Reality</i></a></li> </ul>engFernsehenFilmTheorieRaumBildmovietelevisionspacerepresentationtheoryimage791Image – Action – Space: Situating the Screen in Visual Practice10.25969/mediarep/3686