Image, Time and Motion. New Media Critique from Turkey

Treske, AndreasOnen, UfukBüyüm, BestemDegim, I. Alev2023-02-072023-02-072011978-90-816021-5-0https://networkcultures.org/blog/publication/no-07-image-time-and-motion-new-media-critique-from-turkey/https://mediarep.org/handle/doc/20443<ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=7'>Andreas Treske: Introduction</a></li> </ul> <h4>PART I Finding Art in the Labyrinth of Media</h4> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=13'>Ufuk Önen & Andreas Treske: Introduction</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=14'>Fulya Ertem: “Street Museum”: Thinking About Interactivity and Artworks in a Work That Does Not Use New Media</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=18'>Deniz Hasırcı: The Vicious Circle of Changing Media, Methods, Products and Experiences in Architecture</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=32'>Bilge Demirtaş: The Structure of Seeing: Reading David Hockney’s ‘Joiners’ Through Space and Time</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=38'>Çağrı Barış Kasap: Two Questions / Interpreting Signatures: ‘As If The End of the World has Already Come and Gone</a></li> </ul> <h4>PART II Jump, Run and Take your Seats: Film, Narrative, Interactivity and 3D</h4> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=49'>I. Alev Değim & Andreas Treske: Introduction</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=50'>Funda Şenova Tunalı: Analysing Run Lola Run: Mixed, Interactive-Like but Limited, Complex, Chaotic and Unstable, thus Technically Perfect</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=58'>Pelin Aytemiz: Play, Create and Unite: Cognitive Participation as Interaction in Films</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=64'>Didem Özkul: Three Dimensional Television as a New Medium</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=75'>Rıfat Süha Koçoglu: AVALON: Legend of Future</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=81'>Ufuk Önen: A Perspective on Sound for ‘Traditional’ and ‘New’ Media, Audio Professionals and Composers, and Interdisciplinary Education</a></li> </ul> <h4>PART III Participatory Culture in the Age of Internet</h4> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=94'>Bestem Büyüm & Ufuk Önen: Introduction</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=96'>Segah Sak: Collective Memory and Video-Sharing on the Internet</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=106'>Zeynep Koçer: The Significance of Participatory Culture in the Age of Media Convergence</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=113'>I. Alev Değim: Identity Construction in Facebook: A Lacanian Analysis of Profiles and Facebook Generated Games</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=121'>Alper U. Sarıkaya: What is Blogging: Towards a Definition</a></li> </ul> <h4>PART IV Touch, Look and Feel: Delving into the Realms of Virtual Reality</h4> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=127'>Bestem Büyüm & I. Alev Değim: Introduction</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=128'>Ayda Sevin: Computer Screen, Virtual Reality and the Frame</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=133'>Leyla Önal: There Isn’t There</a></li> <li><a href ='https://mediarep.org/bitstream/handle/doc/20443/TOD_7_Treske_ea_2011_Image-Time-and-Motion_.pdf#page=137'>Umut Sumnu: What is Absent in Telepresence?</a></li>engNew MediaCriticismTurkey791Image, Time and Motion. New Media Critique from Turkey10.25969/mediarep/19269