Gächter, YvonneOrtner, HeikeSchwarz, ClaudiaWiesinger, AndreasHoppe, Imke2023-08-222023-08-222008https://mediarep.org/handle/doc/21017The theoretical aim of this essay is to explore the possible change concerning the point of view which users of interactive films may take when given the possibilty to become more active recipients or even narrators themselves. The article is also discussing the chances and risks faced by journalists and documentarians who are willing to adopt modified points of view. Both perspectives serve as a basis for developing a concept for interactive documentaries and their implementation in practice. The first step was to design a digital storyboard. It supports the identification of the documentary content structure on multiple levels with regard to the main plot line. Persons, places and narrated time are the main links between the documentary and subsequent information. The project was realized with an open-source-based framework and the implementation of a documentary. The digital storyboard as well as the application provide the opportunity to creatively explore the concept of interactive television.deuIn Copyrightinteractive filmpoint of viewinteractive documentariesdigital storyboardnarration80070010.25969/mediarep/19805978-3-902571-81-6