Neef, Sonjavan Dijck, JoséKetelaar, Eric2020-02-172020-02-1720069789053568163https://mediarep.org/handle/doc/14286Sign Here! Handwriting in the Age of New Media features a number of articles from different fields, reaching from cultural and media studies to literature, film and art, and from philosophy and information studies to law and archival studies. Questions addressed in this book are: Will handwriting disappear in the age of new (digital) media? What happens to important cultural and legal concepts, such as original, copy, authenticity, reproducibility, uniqueness, and iterability? Where is the writing hand to be located if handwriting is performed not immediately 'by hand' but when it is (re)mediated by electronic or artistic media? Sign Here! Handwriting in the Age of New Media is the first part in the series Transformations in Art and Culture.<ul> <li><a href='http://dx.doi.org/10.25969/mediarep/13235'>José van Dijck and Sonja Neef: <i>Sign Here! Handwriting in the Age of Technical Reproduction: Introduction</i></a></li> </ul> <h4>Section One: Authentic Copies</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/13236'>Sonja Neef: <i>Authentic Events: The Diaries of Anne Frank and the Alleged Diaries of Adolf Hitler</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/13237'>Michael Wetzel: <i>The Authority of Drawing: Hand, Authenticity, and Authorship</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/13238'>John Mackenzie Owen: <i>Authenticity and Objectivity in Scientific Communication: Implications of Digital Media</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/13239'>Hannelore Dekeyser: <i>Authenticity in Bits and Bytes</i></a></li> </ul> <h4>Section Two: Re-Mediating Handwriting</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/13241'>Richard Grusin: <i>Signature Identity Content: Handwriting in an Age of Digital Remediation</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/13242'>José van Dijck: <i>Writing the Self: Of Diaries and Weblogs</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/13243'>Arnold Dreyblatt and Jeffrey Wallen: <i>Hands on the Document: Arnold Dreyblatt’s T Archive</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/13244'>Mieke Bal: <i>Faithfully Submitted: The Logic of the Signature in Marcel Proust’s A LA RECHERCHE</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/13245'>Rembert Hüser: <i>(Hand)writing Film History: Saul Bass Draws Martin Scorsese in a Title Sequence and Writes his Name Underneath</i></a></li> </ul> <h4>Section Three: Handwriting and (Dis-)Embodiment</h4> <ul> <li><a href='http://dx.doi.org/10.25969/mediarep/13246'>Eric Ketelaar: <i>Writing on Archiving Machines</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/13247'>Thomas Fechner-Smarsly: <i>Blood Samples and Fingerprint Files: Blood as Artificial Matter, Artistic Material, and Means of the Signature</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/13248'>Begüm Özden Firat: <i>Writing Over the Body, Writing With the Body: On Shirin Neshat’s WOMEN OF ALLAH Series</i></a></li> <li><a href='http://dx.doi.org/10.25969/mediarep/13249'>Sonja Neef: <i>Perfor/m/ative Writing: Tattoo, Mark, Signature</i></a></li> </ul>engCreative Commons Attribution Non Commercial 4.0 GenericSchriftAuthentizitätDigitalisierungNeue MedienSignatur302.210.5117/978905356816310.25969/mediarep/13364