Wiedemann, CarolinZehle, Soenke2023-02-072023-02-072012978-90-818575-1-2https://networkcultures.org/blog/publication/no-8-depletion-design-a-glossary-of-network-ecologies-2/https://mediarep.org/handle/doc/20444Depletion Design suggests that ideas of exhaustion cut across cultural, environmentalist, and political idioms and offers ways to explore the emergence of new material assemblages. We, or so we are told, are running out of time, of time to develop alternatives to a new politics of emergency, as constant crisis has exhausted the means of a politics of representation too slow for the state of exception, too ignorant of the distribution of political agency, too focused on the governability of financial architectures. But new forms of individual and collective agency already emerge, as we learn to live, love, work within the horizon of depletion, to ask what it means to sustain ourselves, each other, again. Of these and other knowledges so created, there can no longer be an encyclopedia; a glossary, perhaps.<ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=7'>Carolin Wiedemann & Soenke Zehle: <i>Depletion Design</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=9'>Luciana Parisi: <i>Algorithmic Architecture</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=13'>Gabrielle Coleman: <i>Anonymous</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=19'>Sebastian Olma: <i>Biopolitics</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=25'>Judith Revel: <i>The Common</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=29'>Sebastian Olma: <i>Creative Industries</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=33'>Marie-Luise Angerer: <i>The Cyborg & Her Siblings</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=37'>Anna Munster: <i>Digital Embodiment / Digital Materiality</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=43'>Ned Rossiter: <i>Dirt Research</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=49'>Boyan Manchev: <i>Disorganization</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=55'>Jussi Parikka: <i>Dust Matter</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=61'>Heidi Rae Cooley: <i>Ecologies of Practice</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=67'>Timothy Morton: <i>Ecology Without Nature</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=75'>Jason W. Moore: <i>Crisis</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=81'>Franco ‘Bifo’ Berardi: <i>Exhaustion / Depression</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=87'>Brett Neilson: <i>Fracking</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=91'>Drew S. Burk: <i>Grey Ecology</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=95'>Johannes Grenzfurthner, Frank A. Schneider: <i>Hackerspace</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=101'>Sean Smith: <i>Information Bomb</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=107'>Jennifer Gabrys: <i>Natural History</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=113'>Boyan Manchev: <i>Persistence</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=117'>Sebastian Deterding: <i>Persuasive Design</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=123'>Sebastian Deterding: <i>Playful Technologies</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=129'>Zach Blas: <i>Queer Darkness</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=135'>Eduardo Navas: <i>Remix[ing] Re/Appropriations</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=139'>Jennifer Gabrys: <i>Salvage</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=143'>Lev Manovich: <i>Software</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=147'>Franco ‘Bifo’ Berardi: <i>Soul Work</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=153'>Hito Steyerl: <i>The Spam of the Earth</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=161'>Eric Kluitenberg: <i>Sustainable Immobility</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=167'>David M. Berry: <i>Terminality</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=171'>Sebastian Olma: <i>Vitalism</i></a></li> </ul> <ul> <li><a href ='https://mediarep.org/bitstream/handle/doc/20444/TOD_8_Wiedemann-Zehle_2012_Depletion-Design_.pdf#page=179'>Sonia Matos: <i>Wicked Problems</i></a></li> </ul>engCreative Commons Attribution Non Commercial No Derivatives 3.0 NetherlandsDesignNetworkEcologiesGlossary79110.25969/mediarep/19270