2022 - # 12 Archiv-Erweiterungen. Digitale Umgebungen, de-koloniale Perspektiven und Mapping-Strategien
Hg.: Barbara Büscher, Franz Anton Cramer, Red.: Barbara Büscher, Franz Anton Cramer, René Damm, Verena Elisabet Eitel, Lucie Ortmann
Browsing 2022 - # 12 Archiv-Erweiterungen. Digitale Umgebungen, de-koloniale Perspektiven und Mapping-Strategien by Subject "ddc:700"
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- ArticleArchives in the Age of Transformation of Art Institutions: An Art Preservation Strategy or a Curatorial Experiment?Kupková, Marika; Szűcsová, Monika (2022) , S. 1This paper presents the development of the curatorial research project Black Box, which was established in the spring of 2020 in the Brno TIC Gallery to support contemporary art and artists at a time when artists and cultural institutions were affected by the existential crisis caused by the COVID-19 global pandemic. This experimental archive, which initially appeared to be temporary, has been developing its activities for a second year in a row. This text aims to provide a report on the ongoing remakes and postproductions of this archive and present various curatorial interventions carried out on the archived works of the participating artists. We observe a shift of exhibition institutions towards community centres with a diversified program, raising their social awareness and critical self-reflection, and building new means of communication on the axis of the artist-spectator. Especially in the latter area, creating and enabling access to an art archive is an essential tool.
- ArticleEditorial: MAP #12 Archiv-Erweiterungen. Digitale Umgebungen, de-koloniale Perspektiven und Mapping-StrategienBüscher, Barbara; Cramer, Franz Anton (2022) , S. 1-3
- ArticleEditorial: MAP #12 Expanded Archives. Digital environments, decolonial perspectives, strategies of mappingBüscher, Barbara; Cramer, Franz Anton (2022) , S. 1-3
- ArticleGallery inside out. Videomapping as Performative Mediation of the Vasulkas’ Videoart ArchiveHoráková, Jana (2022) , S. 1This paper presents the performative exhibition “Vasulka Live Archive/video mapping” (20 December 2021, Brno House of Arts) in terms of the creative strategy and format chosen for it and in terms of the broader context of the exhibition project “Vasulka Live Archive/Interfaces”. This work has the character of a music video, created from fragments of videos by Steina and Woody Vasulka, which are interwoven with visualizations of the analytical work of artificial neural networks. The result is a new audiovisual work based on a remix aesthetic. Information on the 'Vasulka Kitchen Brno Archive' has been added by Barbora Šedivá and Kateřina Drajsajtlová.
- ArticleHosting the re-appearance of Nyota Inyoka. An anatomy of the white gazePiña, Amanda (2022) , S. 1This article presents observations on the artistic work of French PoC choreographer Nyota Inyoka (1896-1971). They have been written with a direct involvement in processes of becoming her dancing body. They come from the experience of a dancer and choreographer of color.
- ArticleInhaltsverzeichnis Ausgabe 12ohne Autor (2022) , S. 0-0
- ArticleThe Qualities and Significance of DocumentationDekker, Annet; Giannachi, Gabriella (2022) , S. 1-13Documentation is usually regarded as an art project’s remain or trace that is created and used in different ways. In performance and digital art, documentation has become the focus of conservation and presentation strategies; however, there is a lack of standardized methods on how to make effective use of the different types of documentation. Using case studies from their own collections/practices, LIMA in Amsterdam, in collaboration with Tate and various artists / initiatives, in June 2020 organized a series of workshops to identify a typological framework of documentation. Specific attention was paid to performative installations, performance art in the museum, networked and research-based art projects.