2009/0 ‒ Angst
Browsing 2009/0 ‒ Angst by Subject "ddc:791"
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- ArticleAbgioia. Tanz der Angst und des Konfl iktsDidi-Huberman, Georges (2009) , S. 119-131Starting from the hypothesis that we are faced with pictures as dynamic entities and as actions, this article investigates scenes of (political) confliict and of fight in Pasolini's films. Priority is given to the rhythmic quality of Pasolini's vital realism, which also characterises his application of montage as a procedure of contamination. Abigioia – that abysmal joy, which is based on the fear of and the longing for the lost life – here determines the poetics of anachronistic and impure sacredness.
- ArticleEditorialEngell, Lorenz; Siegert, Bernhard (2009) , S. 5-9
- ArticleTerror nicht Horror. Die Technologie der Angst und ihre Mediengeschichte in RINGBickenbach, Matthias (2009) , S. 167-183Hideo Nakata's film version of THE RING sets up a remarkable constellation of technical and spiritualist media that has re-established the genre of psycho-horror films. The film is not just about a ghost story but, unlike the novels by Kôji Suzuki, about a primeval scene of the fear of media that initiates the eventuation of a "video curse", thereby raising the issue of the technology of fear as a history of media.
- ArticleDer unmögliche Blick. Medientechnik und inszenierte Weiblichkeit in Michael Powells PEEPING TOMRiepe, Manfred (2009) , S. 151-165In retrospect of the scandal caused by the first performance of PEEPING TOM in 1960, the "project" of Michael Powell's prototypal serial killer is analysed from a media theoretical viewpoint. Mark Lewis kills women, because he wants to see their horriffied expression in the moment of death and capture it on celluloid, employing an apparatus made of camera, stiletto and concave mirror. What exactly does Lewis want to spot in his victims' eyes? And how would that involve the issue of voyeurism at the cinema?
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