Elie Yazbek

Science Fiction and Religion

Elie Yazbek

Is Superman a God? Editorial

S. 7-15

Joel Mayward

Parabolic Transcendence in Time and Narrative: Shane Carruth’s PRIMER (US 2004) and UPSTREAM COLOR (US 2013) as Post-Secular Sci-Fi Parables

S. 17-36

James Lorenz

The End of Desire? Love and the Soteriological Significance of Desire, Hope, and Belief in Andrei Tarkovsky’s STALKER (USSR 1979)

S. 37-52

Bina Nir

Biblical Narratives in INTERSTELLAR (Christopher Nolan, US/GB 2014)

S. 53-69

Kerry P. C. San Chirico

Dharma and the Religious Other in Hindi Popular Cinema. From Nehru through Modi

S. 73-102

René Erwich

“Someday Our Gods Will Be Friends”: The VIKINGS Series as Embodiment of Religion and Liquefaction of Meaning

S. 103-126

Hannah Griese

Jerusalem between Political Interests and Religious Promise: The Opening Ceremony of the New US Embassy as Media Ritual

S. 127-151

Stefanie Knauss

Book Review. S. Brent Plate, Religion and Film: Cinema and the Re-Creation of the World

S. 155-158

Marie-Therese Mäder

Book Review. Elisha McIntyre, Religious Humor in Evangelical Christian and Mormon Culture

S. 159-162

Daria Pezzoli-Olgiati

Book Review. Richard Walsh (ed.), T&T Clark Companion to the Bible and Film

S. 163-165

Kathrin Trattner

Game Review. PAMALI: INDONESIAN FOLKLORE HORROR

S. 166-171

Natalie Fritz

TV-Series Review. HERRENS VEJE (RIDE UPON THE STORM), created by Adam Price

S. 172-179