2015/1 – #Animals
Features
Editorial Necsus
S. 1-2
In search of Godard’s SAUVE LA VIE (QUI PEUT)
S. 3-26
Oppositional banality: Watching ordinary Muslims in LITTLE MOSQUE ON THE PRAIRIE
S. 27-45
Dancing in the sun: The musical as touristic hook in HONEYMOON
S. 47-65
Feminist film studies 40 years after VISUAL PLEASURE AND NARRATIVE CINEMA, a triologue
S. 67-79
Audiovisual essays
The audiovisual essay as art practice
S. 81-83
Film studies in the groove? Rhythmising perception in Carnal Locomotive
S. 85-90
Club Video
S. 91-92
Special section: Animals
Animals, images, anthropocentrism
S. 95-105
Why not look at animals?
S. 107-125
When Lulu met the Centaur: Photographic traces of creaturely love
S. 127-144
Tasmanian tigers and polar bears: The documentary moving image and (species) loss
S. 145-162
Cinematic slowness, political paralysis? Animal life in BOVINES, with Deleuze and Guattari
S. 163-180
Horseplay: Equine performance and creaturely acts in cinema
S. 181-198
Cows, clicks, ciphers, and satire
S. 199-208
Book reviews
Television studies reloaded: From history to text
S. 209-214
The documentary film book
S. 215-219
Storytelling in the media convergence age: Exploring screen narratives
S. 220-226
EDUCATION IN THE SCHOOL OF DREAMS: Travelogues and early nonfiction film
S. 227-233
Festival reviews
Dossier: International Film Festival Rotterdam 2015
S. 235-247
Dispatches from the dark: A conversation with Neil Young at the 2015 International Film Festival Rotterdam
S. 248-254
Hollywood legacies and Russian laughter: Le Giornate del Cinema Muto / Pordenone Silent Film Festival 2014
S. 255-260
We can haz film fest!: Internet Cat Video Festival goes viral
S. 261-268
Exhibition reviews
Too much world: A Hito Steyerl retrospective
S. 269-278
McMansion of media excess: Ryan Trecartin’s and Lizzie Fitch’s SITE VISIT
S. 279-286
Reaching out!: Activating space in the art of Olafur Eliasson
S. 287-293
David Reeb: Traces of Things to Come
S. 293-299