Article: The impersonal essay, or Montage as memory of the world
Abstract
The audiovisual essay has been conventionally associated with the subjective and the personal. On the other hand, this introduction makes a case for the adoption of an ‘impersonal’ voice or viewpoint as a tactical response to the overvaluation of the self that pervades our current media economy.
Preferred Citation
BibTex
Torlasco, Domietta: The impersonal essay, or Montage as memory of the world. In: NECSUS_European Journal of Media Studies, Jg. 11 (2022), Nr. 2, S. 249-256. DOI: http://dx.doi.org/10.25969/mediarep/19181.
@ARTICLE{Torlasco2022,
 author = {Torlasco, Domietta},
 title = {The impersonal essay, or Montage as memory of the world},
 year = 2022,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/19181}",
 volume = 11,
 journal = {NECSUS_European Journal of Media Studies},
 number = 2,
 pages = {249--256},
}
 author = {Torlasco, Domietta},
 title = {The impersonal essay, or Montage as memory of the world},
 year = 2022,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/19181}",
 volume = 11,
 journal = {NECSUS_European Journal of Media Studies},
 number = 2,
 pages = {249--256},
}
Keywords
As long as there is no further specification, the item is under the following license: Creative Commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen