Article:
Landschaft als Immersionsraum und Sakralisierung der Landschaft

Author(s): Nunold, Beatrice

Abstract

All media are immersion media. They require a permanent focus of attention and fade out reality. A total immersion will be constructed. Since the invention of panorama in the 18th century, the landscape is an experimental object as illusion or immersion space. A famous representative is the artist Caspar David Friedrich. In early Romanticism, the subject of stage becomes a distinguished object of reflection: The possibilities of illusion become a subject. The sacralisation of landscape is completely pronounced and reflected on the highest level. Subsequently, the sacralisation turned into a stylistic device of landscape presentation. The stylistic device is used manipulatively, e.g. in the film THE LORD OF THE RINGS, to implicate the viewer optically, emotionally and mentally in the immersion space.

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BibTex
Nunold, Beatrice: Landschaft als Immersionsraum und Sakralisierung der Landschaft. In: IMAGE. Zeitschrift für interdisziplinäre Bildwissenschaft, Jg. 2 (2006), Nr. 1, S. 149-174. DOI: http://dx.doi.org/10.25969/mediarep/16695.
@ARTICLE{Nunold2006,
 author = {Nunold, Beatrice},
 title = {Landschaft als Immersionsraum und Sakralisierung der Landschaft},
 year = 2006,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/16695}",
 volume = 2,
 address = {Köln},
 journal = {IMAGE. Zeitschrift für interdisziplinäre Bildwissenschaft},
 number = 1,
 pages = {149--174},
}
Keywords
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The item has been published with the following license: Unter Urheberrechtsschutz