Out of focus – Verkantungen, Unschärfen und Verunsicherungen in Orson Welles‘ THE LADY FROM SHANGHAI (1947)

Müller, Jürgen E.; Hetebrügge, Jörn

Article:
Out of focus – Verkantungen, Unschärfen und Verunsicherungen in Orson Welles‘ THE LADY FROM SHANGHAI (1947)

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Abstract

THE LADY FROM SHANGHAI is an unusual movie, a movie that throws overboard the conventions of fictional movies. As it will be shown, Orson Wells follows different strategies in his movie to irritate the audience and to deprive it of the control about the action.

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Müller, Jürgen E.; Hetebrügge, Jörn: Out of focus – Verkantungen, Unschärfen und Verunsicherungen in Orson Welles‘ THE LADY FROM SHANGHAI (1947). In: IMAGE. Zeitschrift für interdisziplinäre Bildforschung, Jg. (2005), S. 183-193.http://dx.doi.org/10.25969/mediarep/16730

Keywords

Film Noir Einstellung Kameraperspektive Kamera camera perspective

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Article: Out of focus – Verkantungen, Unschärfen und Verunsicherungen in Orson Welles‘ THE LADY FROM SHANGHAI (1947)

Abstract

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Article:
Out of focus – Verkantungen, Unschärfen und Verunsicherungen in Orson Welles‘ THE LADY FROM SHANGHAI (1947)