Article:
Out of focus – Verkantungen, Unschärfen und Verunsicherungen in Orson Welles‘ THE LADY FROM SHANGHAI (1947)

Author(s): Müller, Jürgen E.Hetebrügge, Jörn

Abstract

THE LADY FROM SHANGHAI is an unusual movie, a movie that throws overboard the conventions of fictional movies. As it will be shown, Orson Wells follows different strategies in his movie to irritate the audience and to deprive it of the control about the action.

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BibTex
Müller, Jürgen E.; Hetebrügge, Jörn: Out of focus – Verkantungen, Unschärfen und Verunsicherungen in Orson Welles‘ THE LADY FROM SHANGHAI (1947). In: IMAGE. Zeitschrift für interdisziplinäre Bildforschung, Jg. (2005), S. 183-193. DOI: http://dx.doi.org/10.25969/mediarep/16730.
@ARTICLE{Müller2005,
 author = {Müller, Jürgen E. and Hetebrügge, Jörn},
 title = {Out of focus – Verkantungen, Unschärfen und Verunsicherungen in Orson Welles‘ THE LADY FROM SHANGHAI (1947)},
 year = 2005,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/16730}",
 address = {Köln},
 journal = {IMAGE. Zeitschrift für interdisziplinäre Bildforschung},
 pages = {183--193},
}
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The item has been published with the following license: Unter Urheberrechtsschutz