Article:
Der unsichtbare Faden. Zu Materialität und Infrastrukturen digitaler Tierbeobachtung

Author(s): Rickli, Hannes

Abstract

Wildlife observation in life sciences is media based and operates in dependence on infrastructures that are normally not visible or not noticed. On the basis of laboratory examples from Zurich, Austin/Texas and Helgoland, configurations of human and non-human actors are studied from an aesthetic perspective. The material contexts, in which work with digital data is involved, are brought into focus as well as the question of how they can be experienced and negotiated artistically in a “scientificized” society.

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Rickli, Hannes: Der unsichtbare Faden. Zu Materialität und Infrastrukturen digitaler Tierbeobachtung. In: ZMK Zeitschrift für Medien- und Kulturforschung, Jg. 7 (2016), Nr. 2, S. 137-154. DOI: http://dx.doi.org/10.25969/mediarep/18646.
@ARTICLE{Rickli2016,
 author = {Rickli, Hannes},
 title = {Der unsichtbare Faden. Zu Materialität und Infrastrukturen digitaler Tierbeobachtung},
 year = 2016,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/18646}",
 volume = 7,
 address = {Hamburg},
 journal = {ZMK Zeitschrift für Medien- und Kulturforschung},
 number = 2,
 pages = {137--154},
}
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