Article: Uncanny sounds and the politics of wonder in Christian Petzold’s ‘Undine’
Abstract
We examine uses of sound in German director Christian Petzold’s Undine (2020), based on the story of a water sprite who marries a human and acquires a soul. We employ the concepts of ‘acousmatic sound’ and ‘the acousmêtre’ to suggest that the film’s uncanny soundscape invites a mode of listening that challenges and transforms habitual perception. While Undine largely adheres to cinematic realism, its sound design evokes intrusion by the preternatural and fantastical. By auditory allusions to the mysterious and uncanny, Undine asserts the significance of fairy tales and storytelling for perceiving and understanding reality and for imagining alternatives.
Keywords
As long as there is no further specification, the item is under the following license: Creative Commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen