Article:
Do you want to be a Feminist? Frozen (2013)

dc.contributor.editorScheffer, Bernd
dc.contributor.editorJahraus, Oliver
dc.contributor.editorPackard, Stephan
dc.creatorBrockmann, Madalina
dc.date.accessioned2024-07-01T17:53:48Z
dc.date.available2024-07-01T17:53:48Z
dc.date.issued2014
dc.description.abstractHailed as “the best Disney Film since The Lion King,” grossing almost $380 million to date at the USA box office, and winner of two Academy Awards, the studio’s 2013 release Frozen is also one of its most controversial animated features. The heated debate that launched a rather impressive number of blog entries over the past few months centers on the question of the film’s feminist content. ‘Is Frozen the most feminist Disney film to date?’ ‘Is it feminist enough?’ and ‘Is it feminist at all?’ are the conflicting issues raised by the movie’s vehement attackers and defenders. More than a simple media dispute, the theoretical battle around Frozen offers a window onto a whole range of issues that revolve around contemporary feminism, readership, and textual construction.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/22572
dc.identifier.urihttps://www.medienobservationen.de/2014/brockmann-frozen/
dc.identifier.urihttps://mediarep.org/handle/doc/24049
dc.languageeng
dc.publisherUniversität zu Köln
dc.publisherLudwig-Maximilians-Universität München
dc.publisher.placeKöln
dc.publisher.placeMünchen
dc.relation.isPartOfissn:1612-7315
dc.relation.ispartofseriesMedienobservationen
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0
dc.subjectFilmen
dc.subjectDisneyen
dc.subjectFeminismen
dc.subject.ddcddc:791
dc.subject.workFROZEN
dc.titleDo you want to be a Feminist? Frozen (2013)en
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticle
local.coverpage2024-07-02T02:42:17
local.identifier.firstpublishedhttps://www.medienobservationen.de/2014/brockmann-frozen/
local.source.volume18
local.subject.wikidatahttps://www.wikidata.org/wiki/Q246283

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