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Shifts in the Photographic Paradigm through Digitality & the Aesthetics of Noise

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Abstract

This paper traces the author’s early digital media projects fromthemid-1980s to the present that are based on computerprocessing andthe integration of noise as an aesthetic elementin the author’s evolv-ing digital photographic projects. Buildingon his background in photography, the projects explore therelationship of noise-to-signaland the influence of Claude Shannon’sInformation theory in theauthor’s work.

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Published in:

Legrady, George: Shifts in the Photographic Paradigm through Digitality & the Aesthetics of Noise. In: Grau, Oliver;Hoth, Janina;Wandl-Vogt, Eveline: Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities. Krems a.d. Donau: Edition Donau-Universität 2019, S. 49-60.10.25969/mediarep/13341
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