Book part: Algorithmic Signs, Venice 2017: Tracing the history of computer art
Abstract
This paper examines Algorithmic Signs, an exhibition exploring the histo-ry of pioneering computational art conceived, researched and curated by the author in collaboration with the Fondazione Bevilacqua La Masa (Venice, Italy, October 2017). The author presents the historical context and main concepts that led to the creation of this exhibition. In addition to this, the author demonstrates how Algorithmic Signs provided new in-terpretations of the history of computer art.
Preferred Citation
BibTex
Franco, Francesca: Algorithmic Signs, Venice 2017: Tracing the history of computer art. In: Grau, Oliver;Hoth, Janina;Wandl-Vogt, Eveline: Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities. Krems a.d. Donau: Edition Donau-Universität 2019, S. 261-270. DOI: 10.25969/mediarep/13188.
@INCOLLECTION{Franco2019,
author = {Franco, Francesca},
title = {Algorithmic Signs, Venice 2017: Tracing the history of computer art},
year = 2019,
doi = {10.25969/mediarep/13188},
editor = {Grau, Oliver and Hoth, Janina and Wandl-Vogt, Eveline},
address = {Krems a.d. Donau},
booktitle = {Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities},
pages = {261--270},
publisher = {Edition Donau-Universität},
}
author = {Franco, Francesca},
title = {Algorithmic Signs, Venice 2017: Tracing the history of computer art},
year = 2019,
doi = {10.25969/mediarep/13188},
editor = {Grau, Oliver and Hoth, Janina and Wandl-Vogt, Eveline},
address = {Krems a.d. Donau},
booktitle = {Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities},
pages = {261--270},
publisher = {Edition Donau-Universität},
}
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