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Book part:
Transitivität und immersive Formen des Films. Eine Skizze am Beispiel von INCEPTION

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Abstract

The text discusses the logic of transitive inferences as crucial components of ‹immersive› cinematic forms. The theoretical framework is provided by the notion of image schemasin cognitive semantics. A brief discussion of the ‹Container›-schema in Christoph Nolans Inception exemplifies the theoretical approach. Transitive inferences appear to be connected to an implicit knowledge about the reference to a reality ‹outside› immersion.

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Ernst, Christoph: Transitivität und immersive Formen des Films. Eine Skizze am Beispiel von INCEPTION. In: : . Marburg: Schüren 2015, S. 40-52.http://dx.doi.org/10.25969/mediarep/18164
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