Miscellany: Is it French? Popular Postnational Screen Fiction from France
Abstract
This book investigates the recently accelerated phenomenon of mainstream French film and serial television’s remarkable popularity not only within but – more novelly for European audiovisual narratives – outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tendencies in media production and circulation in Europe and beyond, the collection explores emergent influential players (Omar Sy, Camille Cottin, Alexandre Aja and Fanny Herrero), companies such as Netflix and Gaumont, and new genres, identities and representations on screen. It thus draws together a body of new research by international experts in French and European media production to analyse popular film and television series from France through a postnational lens with regards to both economic and institutional norms and to culture as a whole.
Preferred Citation
BibTex
Harrod, Mary; Moine, Raphaëlle(Hg.): Is it French? Popular Postnational Screen Fiction from France. Cham: Palgrave Macmillan 2023. DOI: http://dx.doi.org/10.25969/mediarep/22095.
@BOOK{Harrod2023,
title = {Is it French? Popular Postnational Screen Fiction from France},
year = 2023,
doi = "\url{http://dx.doi.org/10.25969/mediarep/22095}",
editor = {Harrod, Mary and Moine, Raphaëlle},
address = {Cham},
publisher = {Palgrave Macmillan},
isbn = {978-3-031-39195-8},
}
title = {Is it French? Popular Postnational Screen Fiction from France},
year = 2023,
doi = "\url{http://dx.doi.org/10.25969/mediarep/22095}",
editor = {Harrod, Mary and Moine, Raphaëlle},
address = {Cham},
publisher = {Palgrave Macmillan},
isbn = {978-3-031-39195-8},
}
Keywords
As long as there is no further specification, the item is under the following license: Creative Commons - Namensnennung