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Simanowski, Roberto

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deutscher Literatur- und Medienwissenschaftler und Gründer des Online-Journals für digitale Kunst und Kultur Dichtung-Digital

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Simanowski

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Roberto

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1999 - 199992000 - 200517
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Subject: Hypertext × Subject: ddc:791 ×

Publications from this person:

Now showing 1 - 10 of 26
  • Article
    Literaturfeste und Netz-Diskurse: Das erste Internationale Literaturfestival und der Hypertext
    Simanowski, Roberto (2001-06-19) , S. 1-3
    Jedes Literaturfestival, das etwas auf sich hält, scheint heutzutage auch eine Veranstaltung zu Netzliteratur und Hypertext anbieten zu wollen. Beim großen Fest der Schweizer, den 23. Solothurner Literaturtagen vom 25. bis 27. Mai, war Hypertext das Schwerpunktthema und wurde mit vier Vorführungen und Diskussionsrunden recht ausführlich vorgestellt. Auch das erste Internationale Literaturfestival vom 14.-24. Juni in Berlin zeigt keine Berührungsängste und nahm eine Diskussionsrunde zu Literatur im Internet/Hypertext ins Programm auf. Ist der Glaube an die Zukunft des Buches so groß, dass man den Medienkonkurrenten nicht mehr fürchten zu müssen glaubt? Oder ist er so schwach, dass man diesen nicht länger ignorieren will?
  • Review
  • Article
  • Article
    and/and/and - reading and thinking hypertext: an interview with J. Yellowlees Dougles
    Simanowski, Roberto (2000-03-25) , S. 1-6
    J. Yellowlees Dougles, Director of the William and Grace Dial Center for Written and Oral Communication and Assistant Professor of English at the University of Florida, has been researching and writing on social construction of digital technologies and on hypertext focusing on the the applicability of literary theory, narratology and aesthetics to hypertext environments. In her essay "How do I stop this thing" (1994) she discusses the effect of hypertext's displacement of closure on the act of reading with special regard to Michael Joyce's "Afternoon". Her recent book "End of Books or Books without End" (2000) - "A classic of hypertext theory and criticism" (Jay David Bolter) - examines how interactive fiction works, takes a careful look at the state of hypertext criticism today, and suggests how the future development of interactive narratives relate to the New Realism. (see extended abstract, order from Eastgate Systems). Roberto Simanowski talked with her about satisfactions and limitations of hypertext, about its three paradoxes, and about her hyperfiction "I Have Said Nothing".
  • Article
    Editorial
    Simanowski, Roberto (2005) , S. 1-2
  • Review
    Hyperkultur
    Simanowski, Roberto (1999-05-28) , S. 1-5
    Rezension des Buches Hyperkultur. Zur Fiktion des Computerzeitalters, hg. v. Martin Klepper, Ruth Mayer und Ernst-Peter Schneck.
  • Article
    Die Aaleskorte der Ölig: Interview mit Frank Klötgen
    Simanowski, Roberto (2000-08-22) , S. 1-6
    Die Aaleskorte der Ölig von Dirk Günthers und Frank Klötgens ist einer der Preisträger des 98er Pegasus-Wettbewerbs für Internet-Literatur (Besprechung in dichtung-digital). Ein Text-Bild-Geflecht, das sich als Film ausgibt, 6,9 Milliarden Lesarten verspricht und eigentlich eine Parodie auf den Hypertext darstellt. Ein Werk, das nur Freunde oder Feinde hat. Roberto Simanowski sprach mit Frank Klötgen über die Ölig, den Ekel, Publikumsbeschimpfung, literarische Vorblider und die deutsche Szene der Netzliteratur.
  • Article
    Living for Hypertext: Interview with Deena Larsen
    Simanowski, Roberto (2000-11-05) , S. 1-7
    Deena Larsen is an activist you will always find arround: at Hypertext Conference, at Digital Art and Culture Conference, at CyberMountain, and in many chats and workshops on hypertext. Roberto Simanowski talked to her about writing, promoting, and selling hypertext, the 4 labyrinths, the reader can be lost, and about her more recent work Disappearing Rain, that minglies fiction with non fictional websites.
  • Article
    Hypertext in Russia: an interview with Inna Kouper
    Simanowski, Roberto (1999-12-12) , S. 1-7
    Inna Kouper is one of the first russian PhD students who's dissertation is devoted to "Hypertext as a form of discourse representation". It will be published part of it on her homepage in about 6 months. In 1993 when Inna started to study hypertext theoretically nobody even spoke about hypertext in Russia. Now, there are hypertexts and hyperfiction in Russia as well as cell phones and Dollars. Roberto Simanowski talked with Inna about the Russian Internet, Dmitry Galkovsky's masterpiece "Endless dead-end", about the Russian Queneau, and why it is incorrect to take postmodern theory as a basis for hypertext.
  • Article
    Creating, selling, and evaluating Hyperfiction. An Interview with Mark Bernstein
    Simanowski, Roberto (1999-07-17) , S. 1-5
    Mark Bernstein has organised and participated in HT conferences since they began in 1987. He has presented both CD-Roms and articles about hypertext to these conferences, and anyone who heard and saw his keynote adress at the 99 HT Conference knows how entertaining his presentation can be. Roberto Simanowski talked with Mark about hypertext's present and future, and about the task of evaluation and publishing of hypertext.