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Hagener, Malte

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Professor für Medienwissenschaft, insbesondere Geschichte, Theorie und Ästhetik des Films, an der Philipps-Universität Marburg und geschäftsführender Direktor des Marburg Center for Digital Culture and Infrastructure (MCDCI)

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Hagener

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Malte

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2018 - 201912020 - 20221
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Author: van den Oever, Annie ×

Publications from this person:

Now showing 1 - 2 of 2
  • Article
    Early cinema, Sergei Eisenstein, and film culture today: An interview with Ian Christie on new directions in film history
    Hagener, Malte; van den Oever, Annie (2018)
    An interview with Ian Christie, conducted by Annie van den Oever and Malte Hagener, on his career and most important topics of research. The interview focuses mainly on his work on Eisenstein and early cinema. It discusses the diverse paradigms and different approaches that have been shifting over the decades. It also reflects on the changes in film studies since the 1970s.
  • Article
    The past is always changing: An interview with Tom Gunning
    Hagener, Malte; van den Oever, Annie (2022)
    Tom Gunning is one of the most influential and widely cited film historians in the world with over 150 essays and publications on early cinema, the avant-garde, and film genres. He has published extensively on questions of film style and interpretation, film history and film culture, and on early cinema as well as on the culture of modernity from which cinema arose. In his seminal studies of the ‘cinema of attractions’, the concept he famously proposed, he set a new research agenda for early cinema studies by relating the development of cinema to other forces besides storytelling, such as new experiences of space and time in modernity, the relation between cinema and technology, and an emerging modern visual culture. Film culture, the avant-garde movements, the historical factors of exhibition and criticism, and the spectator’s experience throughout film history are recurrent themes in his work. In this interview, Malte Hagener and Annie van den Oever talk with Gunning about his writing process and his inspirations, the people he considers his mentors (Annette Michelson, Jay Leyda, Eileen Bowser, and David Francis), the legendary 1978 FIAF conference in Brighton, and the future of film studies.