Person:
Hagener, Malte

Profile Picture

Email Address

Birth Date

ORCID

Research Projects

Organizational Units

Job Title

Professor für Medienwissenschaft, insbesondere Geschichte, Theorie und Ästhetik des Films, an der Philipps-Universität Marburg und geschäftsführender Direktor des Marburg Center for Digital Culture and Infrastructure (MCDCI)

Last Name

Hagener

First Name

Malte

Name

Filters

2010 - 201927
Reset filters

Settings

Start date: 2010 × End date: 2019 ×

Publications from this person:

Now showing 1 - 10 of 27
  • Book part
  • Review
  • Review
    Zwischen Erfahrung und Zeichen. Filmtheorie als Brückenschlag
    Hagener, Malte (2012)
    Besprochene Bücher: Franziska Heller, Filmästhetik des Fluiden. Strömungen des Erzählens von Vigo bis Tarkowskij, von Huston bis Cameron, München, Paderborn (Wilhelm Fink) 2010 (Zugleich Dissertation Ruhr-Universität Bochum 2009). Thomas Morsch, Medienästhetik des Films. Verkörperte Wahrnehmung und ästhetische Erfahrung im Kino, München, Paderborn (Wilhelm Fink) 2011 (Zugleich Dissertation Freie Universität Berlin 2008). Herbert Schwaab, Erfahrung des Gewöhnlichen. Stanley Cavells Filmphilosophie als Theorie der Populärkultur, Münster (Lit Verlag) 2010 (Zugleich Dissertation Ruhr-Universität Bochum).
  • Review
    Bereichsrezension: (TV-)Nachrichten
    Hagener, Malte (2011)
    Mike Conway: The Origins of Television News in America. The Visualizers of CBS in the 1940s. New York et al.: Peter Lang 2009 (Mediating American History, Bd. 7), 397 S., ISBN 978-1-4331-0602-6, € 69,-; Christine Drentwett: Vom Nachrichtenvermittler zum Nachrichtenthema. Metaberichterstattung bei Medienereignissen. Wiesbaden: VS 2009, 264 S., ISBN 978-3-531-16551-6, € 34,90 (Zugl. Dissertation Ludwig-Maximilians-Universität München 2008); Sebastian Köhler: Die Nachrichtenerzähler. Zu Theorie und Praxis nachhaltiger Narrativität im TV-Journalismus. Baden-Baden: Nomos 2009 (Angewandte Medienforschung, Bd. 45), 190 S., ISBN 978-3-8329-4618-0, € 25,-
  • Review
    Sammelrezension: Gewalt und Film
    Hagener, Malte (2015)
    Reinhold Görling: Szenen der Gewalt: Folter und Film von Rossellini bis Bigelow; Sven Kramer: Transformationen der Gewalt im Film: Über Riefenstahl, Améry, Cronenberg, Egoyan, Marker, Kluge, Farocki
  • Book part
    Man geht nie zweimal in denselben Film
    Hagener, Malte (2014)
  • Review
  • Article
    Even today there are people who think these harmless little books are dangerous: An interview with David Bordwell
    Hagener, Malte (2016)
    After a distinguished career at the University of Wisconsin, Madison, David Bordwell remains active as a scholar, as a public speaker, and as a visitor at film festivals. With his partner Kristin Thompson he has not only written three important books – FILM ART: AN INTRODUCTION (1979; 10th edition 2010), probably the most widely used introductory film studies book; FILM HISTORY: AN INTRODUCTION; and THE CLASSICAL HOLLYWOOD CINEMA: FILM STYLE & MODE OF PRODUCTION UNTIL 1960 (with Janet Staiger, 1985) – but he also maintains the blog Observations on Film Art (http://www.davidbordwell.net/blog/), which includes reports from his ongoing research, discoveries at film festivals, and discussions of current issues in film culture. This email dialogue touches his career, the ‘paradigm wars’, and the current situation in which film culture is being reconfigured.
  • Article
    Early cinema, Sergei Eisenstein, and film culture today: An interview with Ian Christie on new directions in film history
    Hagener, Malte; van den Oever, Annie (2018)
    An interview with Ian Christie, conducted by Annie van den Oever and Malte Hagener, on his career and most important topics of research. The interview focuses mainly on his work on Eisenstein and early cinema. It discusses the diverse paradigms and different approaches that have been shifting over the decades. It also reflects on the changes in film studies since the 1970s.
  • Article