Person: Hagener, Malte
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Professor für Medienwissenschaft, insbesondere Geschichte, Theorie und Ästhetik des Films, an der Philipps-Universität Marburg und geschäftsführender Direktor des Marburg Center for Digital Culture and Infrastructure (MCDCI)
Last Name
Hagener
First Name
Malte
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6 results
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- ArticleEven today there are people who think these harmless little books are dangerous: An interview with David BordwellHagener, Malte (2016) , S. 3-14After a distinguished career at the University of Wisconsin, Madison, David Bordwell remains active as a scholar, as a public speaker, and as a visitor at film festivals. With his partner Kristin Thompson he has not only written three important books – FILM ART: AN INTRODUCTION (1979; 10th edition 2010), probably the most widely used introductory film studies book; FILM HISTORY: AN INTRODUCTION; and THE CLASSICAL HOLLYWOOD CINEMA: FILM STYLE & MODE OF PRODUCTION UNTIL 1960 (with Janet Staiger, 1985) – but he also maintains the blog Observations on Film Art (http://www.davidbordwell.net/blog/), which includes reports from his ongoing research, discoveries at film festivals, and discussions of current issues in film culture. This email dialogue touches his career, the ‘paradigm wars’, and the current situation in which film culture is being reconfigured.
- ArticleDas Medium in der Krise. Der Film, das Kinematographische und der Wert von instabilem WissenHagener, Malte (2011) , S. 30-46
- ArticleMontage im Bild. Die Splitscreen bei Brian De PalmaHagener, Malte (2011) , S. 121-132
- ArticleCiné-Club und Vision Kino. Filmbildung in Deutschland und FrankreichHagener, Malte (2014-04-07) , S. 1-9
- ArticleHow the Nouvelle Vague Invented the DVD: Cinephilia, new waves and film culture in the age of digital disseminationHagener, Malte (2014) , S. 73-85
- ArticleEarly cinema, Sergei Eisenstein, and film culture today: An interview with Ian Christie on new directions in film historyHagener, Malte; van den Oever, Annie (2018) , S. 3-21An interview with Ian Christie, conducted by Annie van den Oever and Malte Hagener, on his career and most important topics of research. The interview focuses mainly on his work on Eisenstein and early cinema. It discusses the diverse paradigms and different approaches that have been shifting over the decades. It also reflects on the changes in film studies since the 1970s.