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Hagener, Malte

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Professor für Medienwissenschaft, insbesondere Geschichte, Theorie und Ästhetik des Films, an der Philipps-Universität Marburg und geschäftsführender Direktor des Marburg Center for Digital Culture and Infrastructure (MCDCI)

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Hagener

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Malte

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2011 - 201962020 - 20233
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Publications from this person:

Now showing 1 - 9 of 9
  • Article
    Even today there are people who think these harmless little books are dangerous: An interview with David Bordwell
    Hagener, Malte (2016)
    After a distinguished career at the University of Wisconsin, Madison, David Bordwell remains active as a scholar, as a public speaker, and as a visitor at film festivals. With his partner Kristin Thompson he has not only written three important books – FILM ART: AN INTRODUCTION (1979; 10th edition 2010), probably the most widely used introductory film studies book; FILM HISTORY: AN INTRODUCTION; and THE CLASSICAL HOLLYWOOD CINEMA: FILM STYLE & MODE OF PRODUCTION UNTIL 1960 (with Janet Staiger, 1985) – but he also maintains the blog Observations on Film Art (http://www.davidbordwell.net/blog/), which includes reports from his ongoing research, discoveries at film festivals, and discussions of current issues in film culture. This email dialogue touches his career, the ‘paradigm wars’, and the current situation in which film culture is being reconfigured.
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    Early cinema, Sergei Eisenstein, and film culture today: An interview with Ian Christie on new directions in film history
    Hagener, Malte; van den Oever, Annie (2018)
    An interview with Ian Christie, conducted by Annie van den Oever and Malte Hagener, on his career and most important topics of research. The interview focuses mainly on his work on Eisenstein and early cinema. It discusses the diverse paradigms and different approaches that have been shifting over the decades. It also reflects on the changes in film studies since the 1970s.
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    Zirkulation. Einleitung in den Schwerpunkt
    Hagener, Malte; Tellmann, Ute; Opitz, Sven (2020)
    The concept of «circulation» has recently come to hold considerable appeal to the humanities and social sciences, mainly due to the aspects of movement it implies. The concept is being applied today to (nearly) everything that bridges distances und changes positions. Thinking about circulation in this sense implies a conception of order. Our aim is to make visible and place into question such ideas of order through the articulation of three dimensions: the opening and closing of circular movements, the mediated observation of circulation, and the role of infrastructure.
  • Article
    Data Papers – An Introduction
    Schneider, Alexandra; Hagener, Malte (2023)
    In order to diversify the scope of scholarly formats within NECSUS, the new section Data Papers offers a curated platform for publishing commented datasets from film and media studies research projects. It invites researchers to share insights into the often invisible collaborative work of data preparation and dataset collection.
  • Article
    The past is always changing: An interview with Tom Gunning
    Hagener, Malte; van den Oever, Annie (2022)
    Tom Gunning is one of the most influential and widely cited film historians in the world with over 150 essays and publications on early cinema, the avant-garde, and film genres. He has published extensively on questions of film style and interpretation, film history and film culture, and on early cinema as well as on the culture of modernity from which cinema arose. In his seminal studies of the ‘cinema of attractions’, the concept he famously proposed, he set a new research agenda for early cinema studies by relating the development of cinema to other forces besides storytelling, such as new experiences of space and time in modernity, the relation between cinema and technology, and an emerging modern visual culture. Film culture, the avant-garde movements, the historical factors of exhibition and criticism, and the spectator’s experience throughout film history are recurrent themes in his work. In this interview, Malte Hagener and Annie van den Oever talk with Gunning about his writing process and his inspirations, the people he considers his mentors (Annette Michelson, Jay Leyda, Eileen Bowser, and David Francis), the legendary 1978 FIAF conference in Brighton, and the future of film studies.
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