2012/2 – #Tangibility

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Questions of embodied difference – Film and queer phenomenology
Lindner, Katharina (2012) , S. 199-217
A phenomenological description of the cinematic situation considers the film as a lived body. Just as the human lived body forms the basis for intentionality, perception, expression and action in the world, the film’s body – its technological and instrumental dimension – forms the basis for the films perceptual and expressive engagement with the world. Technological methods and processes thus correlate with modalities of thought and consciousness.