2010 - # 2 Entscheidung und Augenschein
Hg.: Barbara Büscher, Franz Anton Cramer, Red.: Thomas Bitterlich, Gabriele Blome, Barbara Büscher, Franz Anton Cramer, René Damm
Browsing 2010 - # 2 Entscheidung und Augenschein by Subject "art"
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- ArticleBarbora Klímová: Replaced - Brno 2006. Reenactments as Reflections on Social TransformationKlímová, Barbora; Budak, Adam; Büscher, Barbara (2010) , S. 1-13
- ArticleCreating Own Context(s) - Meeting the Challenge of Participation. The Projects by the Collective IRWIN. Interview with Miran Mohar & Borut VogelnikDarian, Veronika (2010) , S. 1-13The Slovenian painters’ collective IRWIN, founded in 1983 in Ljubljana and co-founder of the NSK (i.e. Neue Slowenische Kunst) organization, has been engaged in a series of projects of active and concrete intervention in social and historical contexts in the decade that redefined the status of art in Eastern Europe. Ever since IRWIN confronts the art world with the EAST ART MAP (EAM), a map of artworks from Eastern Europe between 1945 and 2000, various provocative questions come up: regarding the selection within curatorial practice, the intrusion of artists in the field of art theory and historiography, the gap between the apparent dominant Western and assumed backward Eastern art market or – not least – the challenge of the participative integration of art observers and users. The interview with Miran Mohar and Borut Vogelnik focuses on the issues raised within the EAM project that are surfacing in current projects like the NSK State in Time (since 1992) and its diversifications, questioning the challenge of participation back to the 1990ies till now.
- ArticleEditorial: MAP #2 Decision and AppearanceBüscher, Barbara; Cramer, Franz Anton (2010) , S. 1-4
- ArticleEventful Evidence. Historicizing Performance ArtRoms, Heike (2010) , S. 1-10This contribution introduces a current research project, which aims to approach the history and historiography of performance art through performative modes of transmission, especially those of Oral History. It considers the particular manner in which Oral History produces historical evidence, and how it performs itself as a scene of evidence. It argues that such performative engagements with the history of performance are nonetheless dependent on archival artefacts and in turn produce artefacts that get housed in the archive.
- Article“My understanding of dance is not so much prescriptive as it is cartographic”. André Lepecki (New York) in conversation with Franz Anton Cramer on curatorial decisionsLepecki, André (2010) , S. 1-5The IN TRANSIT festival happens yearly at Berlin’s House of the Cultures of the World (Haus der Kulturen der Welt) since 2002. It was conceived of and initiated by the art historian, author and curator Johannes Odenthal. It was in collaboration with stage director and curator Ong Keng Sen that the first editions of the festival were programmed and established until 2006. When the new Director General of the House Bernd Scherer took over, IN TRANSIT was revived for the two editions in 2008 and 2009. André Lepecki and Silke Bake were the artistic directors for both editions.
- ArticleReclaiming the Invisible Past of Eastern Europe. An interview with art historian Ieva Astahovska, head of the research study on the nonconformist art heritage of Latvia’s Soviet yearsZajanckauska, Zane (2010) , S. 1-6An interview with art historian Ieva Astahovska, head of the research study on the nonconformist art heritage of Latvia’s Soviet years.