2017/1
Recent Submissions
- ReviewJohannes Mahlknecht: Writing on the Edge: Paratexts of Narrative CinemaZündel, Jana (2017) , S. 100
- ReviewCatherine Constable: Postmodernism and Film: Rethinking Hollywood’s AestheticsKappes, Mirjam (2017) , S. 105
- Review
- ReviewLaura Mulvey, Anna Backman Rogers (Hg.): Feminisms: Diversity, Difference and Multiplicity in Contemporary Film CulturesSchriever, Carla (2017) , S. 112
- ReviewBernard McCarron: The Paradigm Case: The Cinema of Hitchcock and the Contemporary Visual ArtsRojas, Maribel Cedeño (2017) , S. 114
- ReviewAustin Fisher (Hg.): Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and AppropriationSchank, Tobias Michael (2017) , S. 116
- ReviewPaul Flaig, Katherine Groo (Hg.): New Silent CinemaKappes, Mirjam (2017) , S. 121
- ReviewJustin Remes: Motion(less) Pictures: The Cinema of StasisKaiser, Tina (2017) , S. 123
- ReviewGeoffrey Batchen, Philomena Mariani (Hg.): Emanations: The Art of the Cameraless PhotographWalther, Silke (2017) , S. 125
- ReviewNic Leonhardt: Durch Blicke im Bild: Stereoskopie im 19. und frühen 20. JahrhundertBadorreck, Anne (2017) , S. 127
- Review
- Review
- ReviewBereichsrezension: SerienmeilensteineGrampp, Sven (2017) , S. 137Jürgen Müller (Hg.): Die besten TV-Serien: Von TWIN PEAKS bis HOUSE OF CARDS; Dennis Broe: MAVERICK; Joanne Morreale: THE DICK VAN DYKE SHOW; Mary R. Desjardins: FATHER KNOWS BEST; Elisabeth Bronfen: MAD MEN
- Review
- Review
- ReviewJulie Woletz: Human-Computer Interaction: Kulturanthropologische Perspektiven auf InterfacesHeld, Tobias (2017) , S. 147