Article:
Der Wert der Archivfotografie in der Sinnaushandlung über die Vergangenheit – Eine semiotische Analyse eines Bildes von Amnesty International über die ›Verschwundenen‹

Author(s): Barreneche, Sebastián Moreno

Abstract

This article is part of the scholarship on archive photography as a valuable semiotic resource for the negotiation of meaning that a social collective makes of its past. Within this framework, this article proposes a semiotic analysis of one of the photographic pieces that are part of Amnesty International Uruguay’s campaign on the ›detenidos-desaparecidos‹ (2012). The analysis suggests that photographs belonging to the private archives of the desaparecidos and their families have a significant role in the process of collective healing, as they contribute to the creation of the collective actor of the ›desaparecidos‹ in social discourse. As visual resources framed in a certain context of meaning, archival photographs are worthy of a semiotic study.

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Barreneche, Sebastián Moreno: Der Wert der Archivfotografie in der Sinnaushandlung über die Vergangenheit – Eine semiotische Analyse eines Bildes von Amnesty International über die ›Verschwundenen‹. In: IMAGE. Zeitschrift für interdisziplinäre Bildwissenschaft, Jg. 18 (2022), Nr. 2, S. 7-20. DOI: http://dx.doi.org/10.25969/mediarep/19010.
@ARTICLE{Barreneche2022,
 author = {Barreneche, Sebastián Moreno},
 title = {Der Wert der Archivfotografie in der Sinnaushandlung über die Vergangenheit – Eine semiotische Analyse eines Bildes von Amnesty International über die ›Verschwundenen‹},
 year = 2022,
 doi = "\url{http://dx.doi.org/10.25969/mediarep/19010}",
 volume = 18,
 address = {Köln},
 journal = {IMAGE. Zeitschrift für interdisziplinäre Bildwissenschaft},
 number = 2,
 pages = {7--20},
}
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