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Article:
Die Tischplatte der Authentizität. Von der kunstvollen Wissenschaft zum Anfassen

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Abstract

This paper tries to trace regimes of order which produce visibility at the bor-der to Modernism on the example of illustrations (e.g., Joseph Wright of Der-by), which seems to be formations of natural scientific knowledge. A special interest is drawn to the complex configurations of similarity, equality and reference of image, sign, world and knowledge. By reference to the works of Michel Foucault and Barbara Stafford the most problematic process of the production of image-knowledge is reflected – a knowledge which depends on the use of images (or the particular contextual explanation of the image).

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Nohr, Rolf F.: Die Tischplatte der Authentizität. Von der kunstvollen Wissenschaft zum Anfassen. In: IMAGE. Zeitschrift für interdisziplinäre Bildwissenschaft, Jg. 9 (2013), Nr. 2, S. 169-191.http://dx.doi.org/10.25969/mediarep/16741
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The item has been published with the following license: Unter Urheberrechtsschutz