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Hagener, Malte

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Professor für Medienwissenschaft, insbesondere Geschichte, Theorie und Ästhetik des Films, an der Philipps-Universität Marburg und geschäftsführender Direktor des Marburg Center for Digital Culture and Infrastructure (MCDCI)

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Hagener

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Malte

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2020 - 20237
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Start date: 2020 × End date: 2023 ×

Publications from this person:

Now showing 1 - 7 of 7
  • Review
  • Dataset
    Die Vermessung der medienwissenschaftlichen Welt? Datengestützte Analysen mit media/rep/
    Blaschke, Theresa; Diecke, Josephine; Hagener, Malte; Löhden, Eike; Matuszkiewicz, Kai; Zimmermann, Yvonne (2023)
    Der Datensatz umfasst ein Python-Skript, ein Jupyter Notebook sowie eine Stopp-Word-Liste. Die Dateien wurden für die Erhebungen und Analysen für die Publikation „Die Vermessung der medienwissenschaftlichen Welt? Datengestützte Analysen mit media/rep/“ erstellt und verwendet. Ziel dieser Publikation ist es gewesen, aufzuzeigen, wie sich Forschungsinfrastrukturen als Forschungsgegenstände der Fachgeschichte begreifen und für datengestützte Analysen nutzen lassen. Das Parsing-Skript dient zur Erstellung von Gesamt- oder Teilabzügen der Publikationen und Metadaten aus media/rep/ via REST API und erstellt für jedes Dokument eine TXT und fasst alle Metadaten in einer CSV-Datei zusammen. Mit dem Jupyter Notebook wurden Häufungen fachlicher Termini mithilfe eines explorativen Text-Mining-Ansatzes in Kombination mit Datenvisualisierungen analysiert. Die Stopp-Word-Liste diente der Eliminierung von für die Analyse irrelevanten Wörtern.
  • Article
    Zirkulation. Einleitung in den Schwerpunkt
    Hagener, Malte; Tellmann, Ute; Opitz, Sven (2020)
    The concept of «circulation» has recently come to hold considerable appeal to the humanities and social sciences, mainly due to the aspects of movement it implies. The concept is being applied today to (nearly) everything that bridges distances und changes positions. Thinking about circulation in this sense implies a conception of order. Our aim is to make visible and place into question such ideas of order through the articulation of three dimensions: the opening and closing of circular movements, the mediated observation of circulation, and the role of infrastructure.
  • Article
    Data Papers – An Introduction
    Schneider, Alexandra; Hagener, Malte (2023)
    In order to diversify the scope of scholarly formats within NECSUS, the new section Data Papers offers a curated platform for publishing commented datasets from film and media studies research projects. It invites researchers to share insights into the often invisible collaborative work of data preparation and dataset collection.
  • Book
    Handlungsempfehlungen für "Distant teaching" in der Medienwissenschaft
    Alkin, Ömer; Dang, Sarah-Mai; Hagener, Malte; Kammerer, Dietmar; Strohmaier, Alena (2020)
  • Review
  • Article
    The past is always changing: An interview with Tom Gunning
    Hagener, Malte; van den Oever, Annie (2022)
    Tom Gunning is one of the most influential and widely cited film historians in the world with over 150 essays and publications on early cinema, the avant-garde, and film genres. He has published extensively on questions of film style and interpretation, film history and film culture, and on early cinema as well as on the culture of modernity from which cinema arose. In his seminal studies of the ‘cinema of attractions’, the concept he famously proposed, he set a new research agenda for early cinema studies by relating the development of cinema to other forces besides storytelling, such as new experiences of space and time in modernity, the relation between cinema and technology, and an emerging modern visual culture. Film culture, the avant-garde movements, the historical factors of exhibition and criticism, and the spectator’s experience throughout film history are recurrent themes in his work. In this interview, Malte Hagener and Annie van den Oever talk with Gunning about his writing process and his inspirations, the people he considers his mentors (Annette Michelson, Jay Leyda, Eileen Bowser, and David Francis), the legendary 1978 FIAF conference in Brighton, and the future of film studies.