Video: For a New Computational Aesthetics: Algorithmic Environments as Actual Objects
Abstract
Algorithms are at the core of the computational logic. Formalism and axiomatics have also determined how the shortest algorithmic set or program deploys the most elegant form. This equivalence between axiomatics and beauty however hides a profound ontological ground based on order, rationality and cognition. However, this paper suggests that the pervasion of ubiquitous media and in particular of software agencies (from page ranking software to software for urban design) point to the formation of a new computational aesthetics defined by prehending algorithms. The paper will argue that this new mode of prehension defies the ontological ground of order and cognition revealing that randomness (or non-compressible data) is at the core of computation. The paper will draw on Alfred N. Whitehead’s notion of actual objects and Gregory Chaitin’s theory of the uncomputable to suggest that algorithms need to be understood in terms of ecology of prehensions. This understanding implies a notion of computational aesthetics defined by the chaotic architecture of data hosted by our programming culture.
Description
Preferred Citation
BibTex
Parisi, Luciana: For a New Computational Aesthetics: Algorithmic Environments as Actual Objects. (2012-11-07). Bochum: Ruhr-Universtität Bochum (bochumer kolloquium medienwissenschaft, ). DOI: 10.25969/mediarep/14003.
@MISC{Parisi2012-11-07,
author = {Parisi, Luciana},
title = {For a New Computational Aesthetics: Algorithmic Environments as Actual Objects},
year = 2012-11-07,
doi = {10.25969/mediarep/14003},
address = {Bochum},
}
author = {Parisi, Luciana},
title = {For a New Computational Aesthetics: Algorithmic Environments as Actual Objects},
year = 2012-11-07,
doi = {10.25969/mediarep/14003},
address = {Bochum},
}
The item has been published with the following license: Unter Urheberrechtsschutz