4 | Audiovisual Traces
Browsing 4 | Audiovisual Traces by Subject "archival footage"
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- ArticleDigital Digging: Traces, Gazes, and the Archival In-BetweenKreutzer, Evelyn; Stiassny, Noga (2022) , S. 1-13Traces and gazes have become leading paradigms in dealing with the (visual) history of the Holocaust within academia. This multi-modal project, composed of the following paper and the video essay “The Archival In-Between”, reflects on the connection between traces and gazes, proposing to think of them as a gaze-trace ‘entity’, which resides in an in-between state. Connecting, juxtaposing, manipulating, and fragmenting various textual and filmic traces from the audiovisual heritage of the Holocaust, the project explores this gaze-trace entity in a self-reflexive manner. It performs a theoretical, empirical, ethical, and poetic investigation into the “in-betweenness” potential of the archive footage by digital means. In so doing, the project aims at exploring and demonstrating the inherent potential of videographic methods to study audiovisual memory.
- ArticleFilmography of the Genocide: Official and Ephemeral Film Documents on the Persecution and Extermination of the European Jews 1933-1945Schmidt, Fabian; Zöller, Alexander Oliver (2022) , S. 1-160A comprehensive list of archival film material related to the genocide, including film materials which are only mentioned in contemporary sources, or which were only reported by witnesses after the war. A tabulation which encompasses lost films, if indeed there is considerable evidence for them, is bound to upend the prevailing notion that filming during the genocide was highly exceptional and mostly carried out in the handful of instances surviving as archival material today.