Person: Hagener, Malte
Research Projects
Organizational Units
Organizational Unit
Job Title
Professor für Medienwissenschaften
Last Name
Hagener
First Name
Malte
Name
48 results
Publications from this person:
Now showing 1 - 10 of 48
- ReviewEberhard Nembach: Stalins Filmpolitik. Der Umbau der sowjetischen Filmindustrie 1929-1938Hagener, Malte (2002) , S. 511-513
- ReviewSebastian Richter: Digitaler Realismus. Zwischen Computeranimation und Live-Action. Die neue Bildästhetik im SpielfilmHagener, Malte (2009) , S. 115-116
- Book partRe-editing as Psychotechnique: Montage and Mediality in Early Soviet CinemaHagener, Malte (2014)
- Book partDigital/digitus: Die Geste in den Pixar-AnimationsfilmenHagener, Malte (2018)Die Filme der Produktionsfirma Pixar stellen ihre eigene Gemachtheit auf eine besondere Art und Weise zur Schau. Unter Rückgriff auf die Theorie der Geste, die von Giorgio Agamben entworfen wurde, diskutiert der Beitrag, welche Konsequenzen daraus für den Film im Zeitalter digitaler Netzwerke entsteht. Die Analyse der Studiologo-Sequenz zeigt exemplarisch die gestische Selbstverortung der digitalen Animation.
- ReviewRichard Tapper (Hg.): The New India Cinema. Politics, Representation and IdentityHagener, Malte (2003) , S. 395-397
- ReviewDavid Bate: Photography & Surrealism. Sexuality, Colonialism and Social DissentHagener, Malte (2006) , S. 54-55
- ReviewDavid Thorburn, Henry Jenkins (Hg.): Rethinking Media Change. The Aethetics of TransitionHagener, Malte (2004) , S. 307-311
- ArticleEven today there are people who think these harmless little books are dangerous: An interview with David BordwellHagener, Malte (2016) , S. 3-14After a distinguished career at the University of Wisconsin, Madison, David Bordwell remains active as a scholar, as a public speaker, and as a visitor at film festivals. With his partner Kristin Thompson he has not only written three important books – FILM ART: AN INTRODUCTION (1979; 10th edition 2010), probably the most widely used introductory film studies book; FILM HISTORY: AN INTRODUCTION; and THE CLASSICAL HOLLYWOOD CINEMA: FILM STYLE & MODE OF PRODUCTION UNTIL 1960 (with Janet Staiger, 1985) – but he also maintains the blog Observations on Film Art (http://www.davidbordwell.net/blog/), which includes reports from his ongoing research, discoveries at film festivals, and discussions of current issues in film culture. This email dialogue touches his career, the ‘paradigm wars’, and the current situation in which film culture is being reconfigured.
- ReviewNea Matzen, Christian Radler (Hg.): Die Tagesschau. Zur Geschichte einer NachrichtensendungHagener, Malte (2009) , S. 337-338